How I Met Your Mother Review- "Bagpipes"

Bagpipes (5x06)

Directed by Pam Fryman

Written by Robia Rashid

One Paragraph Synopsis: When Barney notices how Marshall doesn't like being told to do the dishes, Barney suggests that he tells Lily this straight up. It doesn't work, as the two get into one of the biggest fights of their lives. What do you expect from Barney, though, since he and Robin literally ignore all of their problems rather than address them straight on? Until recently, that is, when a weekend away allows them the chance to has things out, and they haven't stopped since. Ted discovers this when a tip from his neighbors, who "play bagpipes" frequently, gives him the idea to hire a bug and check out some of their fights, which are so big in comparison to Lily and Marshall's, that it's easy for them to reconcile.

I wish that every problem could be solved as easily as just getting naked. Or at least just the pants.

If there's one thing the season has been adamant about detailing thus far, it's that Barney and Robin are not exactly great as a couple. Not that they aren't great for each other, but the two of them are not taking the right amount of time to listen to each other and solve their problems.

Now Marshall and Lily, here's a couple who know where they're at. Their fights upon fights in "Bagpipes" begins after a silly obstacle and morphs into nothing but more silly things, and while this gets bad for them, there is still love present between them. Lily's not afraid to hit Marshall where he hurts, resulting in a great line where she literally tells Marshall to go fuck himself, but it's clear to see in Hannigan's eyes that they're going to stay together regardless.

Barney and Robin's arguments aren't too major, either. Some leftover trophies that can easily be discarded, poor decisions in washing etiquette which should be easily retired, and some disagreements over their friend's own fights. This is nothing. But when we see the two hash it out in the montage, it's almost like looking at a whole other thing.

As someone who does like seeing Robin and Barney together, I do wish to see them adapt to a more amicable relationship. But the signs are not pointing in that direction as well as it could. Rashid uses the show's two core couples thus far as to signify where one or the other is thus far. She paints Lily and Marshall as a well-rounded pair, while Robin and Barney have some issues to settle.

The balance is fun to watch as it's shared, since it isn't too entirely obvious where the point is, but the fairness is present. And it's also worth pondering what the image I used for this episode, where Marshall pops champagne for himself and his love after "winning". We're far removed from the pilot, in which he was afraid to pop champagne bottles in fear of hitting someone in the eye. He's had enough time for the fear to dissolve, and Lily's assurance even after she does get hit there is enough to.

Maybe Barney needs a cork of his own to help with his and Robin's relationship. Or maybe Robin is the cork, and she has had a big part in developing his character. This remains to be seen, but should be noted.

The bagpipes story itself is pretty silly, but is done well enough so that isn't a complaint at all. The humor itself is sharp this episode, sticking to the plot beats as well as it should and being evenly divided among the gang, so this isn't a surprise. Bagpipes are a funny metaphor for sex, and they're used tastefully here, right down to the surprise reveal of the people responsible for bagpiping Ted and Robin's sleep patterns.

Otherwise, Ted's core involvement in the episode is his intent to proof that Barney and Robin aren't as overwhelmingly lovey-dovey as they proclaim to be, which results in him spying in a smart move. Even then, Radnor does a fine job with his delivery, especially when Barney insults him as a lover of Robin's, where Ted does his best to not be antagonist, but is still presently annoyed.

But credit really must be given towards Rashid's take on Lily and Marshall's fights, which have some fantastic dialogue throughout. Lily's Shining impression is especially a treat, but the aforementioned orgasm line and her spat about Marshall having bad aim at night is handled well, and sold even better by Hannigan.

Just as the writing throughout is strong. "Bagpipes" is a great episode that is keeping the fifth season afloat. Whether or not Robin and Barney can be kept afloat, however, is too soon to tell.

How I Met Your Mother Review- "Duel Citizenship"

Duel Citizenship (5x04)

Directed by Pam Fryman

Written by Chuck Tatham

One Paragraph Synopsis: After a fight at the Hoser Hut, Robin is threatened with deportation if she doesn't consider applying for American citizenship, which is something that she's initially against, but Barney helps persuade her to change her mind. After a night of preparation for her test, Robin heads back to the Hoser Hut for a night cap, and inexplicably arrives in Canada. Barney flies over to bring her over, when Robin decides that she'd be happier staying a Canadian citizen, which  she sticks by until Barney gets his ass handed to him at a Tim Hortons for standing against the country. After seeing a best of both worlds scenario, Robin decides to apply for dual citizenship rather than sticking to either the US or Canada. And while this goes on, Ted and Marshall plan a road trip to an old pizza place in Chicago that they would plan similar trips to back in college. Only this time, Lily comes along, which annoys Ted, since he wanted a rare outing with just himself and Marshall.

Man, this gets crazy. And that isn't necessarily a bad thing, although it can be.

Absurdness in sitcoms can be endearing or tedious, but usually a show's more outlandish moments come a few seasons in, usually when syndication is a lock and the series has already used plenty of ideas, which HIMYM had hit. HIMYM in particular can get away with a little wackiness, thanks to future Ted's framing. When you consider that he isn't always the most reliable narrator, a locked-in brawl from a group of pissed-off Canadians and Lily hanging up on the roof of the car seems like a good fit.

And truthfully, this was a welcome endeavor, since despite certain aspects seeming iffy on paper, the execution is as strong and memorable as the show at its best. Tatham finds a good balance in his script, as Fryman and her take with the actors lives up to his material.

The decision to separate Barney and Robin from the rest of the gang was a good call, as plenty of time is given towards how their story effects their relationship. Barney's pushing towards Robin attempting US citizenship shows his disregard for her heritage, which is not a good sign. Even as Barney's love for Robin isn't questioned, it's still not great to see the little respect he gives to Canada, joking or not.

This is vindicated when Barney gets his ass handed to him by the end, a welcome diversion from the "nice guys, eh" Canadian trope that infiltrates media, including this series on most occasions. It's hard to not side with the other Canadians when they want Barney to atone for his stupidity, which comes in a well-shot sequence akin to your average action film. It's even more entertaining to keep tabs of how many nice things Barney says about Canada on the way, as he falls in love with Tim Hortons and gives an unknowing appreciation for the country's free health care.

Barney's bold declaration and proud ignorance is reflective of the American stereotype, abrasive morons who talk big game with little to back it up with. He does this while dressing up needlessly and drinking belligerently, all while carrying a needless devotion to his country. He really is a hell of a character, as this is a solid showcase of his.

And for better or worse, this is the guy that Robin fell for. When Barney starts a tangent, this is the way that she holds onto America, and why she's staying (her bar fight isn't mentioned again after the credits, which does result in a flaw of the writing. Why bring this idea on if you won't continue on with it? Otherwise, the script is great).

Robin sees both the Canadian and American in her, which results in her dual citizenship reveal, something that isn't divulged on here, but does seem likely to happen later on. It is a pretty good decision, all things considered, as Robin has been divorced from Canada long enough to consider herself an American, but is still tied enough to her country to not want to lose this part of her identity. It's a big balance that is met by the end, which is nice to see unfold.

And speaking of balance, let's go to the other guys' story. When you consider that Marshall and Lily started dating a day after he became roomies with Ted, it is a little surprising to see Ted remain so close to the idea of being with just Marshall. But then again, the two of them did share a room together years before the three moved into New York, and they've implied that road trips in the old Fiero weren't uncommon.

It is also a human trait to want one-on-one time with other people of your gender, as cis-centric as this might be. Guy time is important, but Marshall doesn't seem to consider this when it comes down to it, as shown by his lack of telling Ted everything that they've planned. There are expectations to meet when you become married, but Marshall does seem overly attached.

That is why it isn't hard to see when Ted tricks Marshall into going straight to the pizza place from the bed and breakfast. Not only was the place not singles friendly, but sometimes you just need to hang out with your bro and eat some crappy pizza. Lily doesn't seem to mind, either, which is good.

Not everything is perfect here, but the vast majority works. Just as this is a mighty funny episode. Barney's cracks about Canada are playful jabs from Canadian Tatham, who writes with love and finds the right way to show Barney up. And then there's Kenny Rogers, who has a fantastic reading of the doggy audiobook, which is delightfully toned to the show's typical sense of humor. This helps to make "Duel Citizenship" another fine episode, as season 5 is still hanging on.

And say it with me now, SHRIMP FRIED RICE! SHRIMP FRIED RICE!

How I Met Your Mother Review- "Robin 101"/"The Sexless Innkeeper"

Robin 101 (5x03)

Directed by Pam Fryman

Written by Craig Thomas & Carter Bays

One Paragraph Synopsis: After Robin accuses Barney of not being sensitive enough to her needs, he decides to take action on this, and allows Ted to teach him some of the basics to understand Robin. She discovers this after having suspicions of Barney cheating on her, and snooping well enough to find his notebook. As we see snippets of the lessons Ted teaches him, it becomes apparent to Robin that Barney might be too sneaky for him, but also that his intentions are good, as the two stay together.

The Sexless Innkeeper (5x04)

Directed by Pam Fryman

Written by Craig Thomas & Carter Bays

One Paragraph Synopsis: Now that Robin and Barney have been dating for a while, Lily and Marshall decide that it's a good idea for them to invite the two to one of their couple's night activities. The problem is, though, that they're not very good guests. They both snap whenever anything goes remotely wrong, on top of their awkward timing, Lily's possessive traits, and Marshall's peculiar devotion to his block of cheese. When Barney and Robin tell them why their couple's nights won't work out, Marshall and Lily decide to move on and have better luck with another couple. Some soul searching brings Robin and Barney back to their friend's place, as they try to fix things among the four of them. Meanwhile, Ted decides to see if women really do like the professor look, which comes with mixed results.

So Barney and Robin as a couple, huh?

I really like the characters by themselves, and have always felt that Neil Patrick Harris and Cobie Smulders had good chemistry with each other. The writing was also helping to make the audience root for the two, as Barney's admiration for her felt sincere even as his urges were hard to fight, and Robin could be seen appreciating him herself. Now that they're here though, hmm.

I'm a little hesitant towards "Robin 101", since the idea of Ted teaching a class on the finer points and issues of Robin is a pretty creepy idea, but at the same time, I can't tell if Thomas and Bays do as well, or not. Robin is rightfully angry when she discovers this, but Lily and Marshall seem to be in the middle, which is surprising on Lily's part. Marshall at least has the burden of a moderate subplot involving his old barrel to worry about.

The point of the episode is that Barney knows little about Robin, and is trying to fix this in his own way, which is good. What's not so good is his execution, since you really shouldn't put a curriculum on a person. Especially not if it's from someone who has previously dated them.

Ted has seemed pretty cool with Barney and Robin dating thus far, which contrasts with his angry reaction to the two sleeping together back in season 3. This might be a combination of time healing this wound, the two taking a more serious approach towards their attraction, or perhaps even spotty writing. One factor might have more of a pull than the other, but it does seem like these are the core factors.

I bring this up, since Ted has remained pretty silent about their relationship thus far, but here, he gladly helps Barney out with no hints of jealousy or anger. I hope that this is a sign of him maturing, and the three of them growing into a peaceful agreement, but it's just a nice little change.

Although Ted's tips aren't all that great. There are some things that seem dead-on, like his conversation avoiders, but it helps to bring some catharsis to the gross factor of this when Robin calls him out on his sexual advice to Barney. And the butterscotch for PMSing thing comes off a little creepier than it was intended to, at least how I see it.

But back to Barney, I understand wanting to better yourself for your significant other. That is a good thing to do, but please consider how you do it. For one thing, listen to them. Robin admits early on that she isn't very sentimental herself, but there was at least one instance where she needed someone she cares about to listen to her, which Barney deflected. Why not just sit down and hear what your girlfriend has to say, instead of heading off to a lecture about her that is done without her consent? And for another, stick around for the night. I mean, come on.

This would have worked a little better for me if Barney was forced to compromise a little more with her, instead of Robin giving in a little more easily than she should have. Because the two deserve a better balance. And it does seem like they'll find something closer to it, until the end of our next episode hits, which is a pretty big hint that it might not work out.

Which is a shame, but at least "The Sexless Inkeeper" is a much better episode, with two fun stories combined together into a filling episode.

Robin and Barney are shown in a happier place this week, as the two are getting close enough to fit Lily and Marshall's bill for potential couple buddies. They still have the passion that keeps a good couple together, and certainly do well enough with Marshall and Lily to justify their position. The thing is, despite their senior status, Lily and Marshall are terrible at hosting couple's night events. Hilariously terrible.

After the so-so way both characters were used in the previous episode, it's nice to see them front and center here, with Lily's commanding tendencies allowing for a fun performance by Hannigan. Her anger is justified in an admittedly silly manner, and makes for funny moments along with Segel, as their chemistry hasn't wavered an ounce as the years go on. And Marshall also has some good material himself, with his weird video e-mails showing off Segel's pipes and making for funny diversions.

Together, Marshall and Lily make for a great pair. They understand each other better than anyone else, and as such, there isn't much new to them. Even when they fight, there is love present. Only a deep bond and strong understanding can make this work, as it does.

The challenge is seeing if Barney and Robin have what it takes to make their relationship stand up to Marshall and Lily's. While they may not argue about cheeses or double-dating trips, there is still some sort of bond present between the two. Thank the chemistry, and appreciation for the characters from the writing on this, but also consider the ending scene. This is why I want to see them work things out, but knowing the show, it could go in any direction.

It's also interesting to see how the episode nears its end, with Robin and Barney walking over to Lily and Marshall's in the pouring rain, asking for forgiveness. This shows that the two can easily see the error in their ways when all else fails, and retrace their steps to make things up. It also indicates that maybe, there is a future for them. Which I hope works out.

On top of this, Ted's sexless innkeeper plot is pretty cute. He's dorky enough to think that being extraordinarily dorky can be a turn on, and is blind enough to not realize that this is a bit of a rare case. When it finally works out, we get two clever poems shared as a result, sold well by NPH and Radnor. The latter poem is a particularly nice way to end the episode, as it gives Ted a happy ending that is welcome.

And it helps to make "The Sexless Innkeeper" a step up from the average "Robin 101". I combined the two as a way to make up for the end of the semester nearing, but they fit well enough for this to not be a mistake. The creators wrote both episodes, as they continue the exploration of the show's new hot couple. Now let's see what else the fifth season has to offer from here.

How I Met Your Mother Review- "Double Date"

Double Date (5x02)

Directed by Pam Fryman

Written by Matt Kuhn

One Paragraph Synopsis: Ted is excited for the blind date he's hooked up on, but what he doesn't realize is that he already went out with this girl, Jen, 7 years ago. Neither of them figure this out until shortly into their date, when the revelation initially shocks, but helps the two to come to the idea that they should give each other another shot, to retrace their steps and see how this past date went wrong. After finishing their same dinner, walking the same steps down to McLarens and meeting with the gang as usual, and heading up to the rooftop, it all comes out. Ted had previously neglected to call Jen, but in truth, he chose not to because he resented how she disliked most of his quirks, and believed that she felt the same about his reaction to her own.So seven years later, Ted and Jen call it a night after one date, and go their ways. And on the same night, Barney takes Marshall into a strip club in hopes for a guy's night out, which Lily is surprisingly cool with. Robin, not so much.

Second chances are given out in a reasonable amount, when you think about. Goodbye is not always the literal end, and often times the closure you crave is reachable if you're patient enough. What is less common to see is these aforementioned second chances be completely moot, which is what happens to Ted and Jen's date in this episode.

The A-plot of "Double Date" could have contained the plot for an entire film of its own, its quality being dependent on the script and direction. And I can safely say that Kuhl's writing is not the problem with this part of the episode, while there are enough great calls in direction to make the episode stand out.

There's a sense of maturity and respect to the concept of a second first date portrayed throughout, while still maintaining HIMYM's unique brand of humor. There are dirty jokes that are used well to keep the general audience happy, while more gentle character moments help to keep everything alive, which the show is at its comic best when this balance is held. Kuhl has fun as he plays with Ted's nerdy idiosyncrasies, just as Radnor is game to poke fun at his character while maintaining a straight face. Similarly, the atmosphere isn't too harsh on Ted, as Jen's own faults (her cat obsession, her tendency to talk about her ex, the inability to play the check game) are meager but believable enough to come up as points against her.

And it is fun to see the two retrace their first date, compiled with clips from the date itself on top of this night's expedition. The editing is top-notch, as the juxtaposition is surprisingly fluid and believable to watch. While hearing Ted and Jen discuss their date gone wrong is fun, seeing it unfold is informative, bringing us right into their past, as they're compared to tonight. The effect could have been cheesy or poorly done, but here, it's a welcome call.

Seeing Ted and Jen seven years prior as opposed to today shows how much they have matured since then, and how they haven't. Ted has retired the lame goatee, while Jen has cut back on her cat talk a little since. They both have also moved towards more practical jobs, even if they're experiencing setbacks from them. On top of that, seven years is just enough to tell you what was wrong about you then, and how to evolve from that point.

The thing is, some things just can't and won't change, which is something Ted and Jen realize this night. Even though they both have changed some and are willing to change more, is it really worth it? Ted still likes to make dumb jokes that Jen doesn't appreciate, while Jen is still flaky about certain traditions that Ted (strangely, I might add) holds onto. Sometimes the change is worth it, but here, it seems like the two just weren't meant to be. Another date, another night has shown them this.

This night was a good indicator of what these two people are like at this point in time (we won't see Jen again after this, although the shellfish joke does return), but it also speaks a truth in humankind in general. Ted has dated a lot of women since his quest to find the one, and isn't anywhere closer to finding her. It's come to the point that he has hooked up with a person he has already dated before, which shows how far the quest can go. And sometimes, you're meant to go back to something you didn't give much thought towards before you try any further. It's an interesting challenge, one that makes for a damn good episode.

I'm mostly happy with this story, but my one fault is sadly a fairly big one- Lindsay Sloane isn't very good as Jen. A Sabrina, the Teenage Witch alumni, Sloane comes off as flat throughout, despite good intentions from Fryman's direction. The lack of chemistry that she shares with Radnor works for the character, but it's disappointing to see that she doesn't get the best out of some good jokes the character is offered.

Thankfully the subplot is fun itself, even if it isn't as enticing as Ted's material.

Barney's desire to have a guy's night out is fair, but Robin is justified to not support his interest in strip clubs. While there are no signs yet to show that Barney is willing to cheat on her, the fact that he doesn't tell Robin his intentions upfront is gross, so Robin is well within her rights to hold resentment. But it doesn't seem like telling her his plans to go would change her mind much, as Robin is dead against the idea of strip clubs in general. Which again, is fair.

Lily's acceptance, on the other hand, shows how cool she can be. Lily knows that at the end of the night, Marshall is coming home to her and nothing can compare, so she embraces it just fine. It also helps that they have had over a decade of strong communication and a deep bond to respect, something that Robin and Barney have yet to manage.

That said, Marshall's overly-complicated sexual fantasies are eye-popping, as Lily rightly calls out. His description makes for a funny moment, but if anything, this shows that he might be TOO dedicated to Lily, which can be a thing. But at least this all leads into the doppelganger reveal, which is a great moment for the show. And stripper Lily, man.

"Double Date" may not be perfect, but it's helping to keep the fifth season off to a good start. Let's hope that the show can keep this going.

How I Met Your Mother Review- "Definitions" + Another crack at "The Leap"

Definitions (5x01)

Directed by Pam Fryman

Written by Carter Bays & Craig Thomas

One Paragraph Synopsis: After telling the gang about their passionate embrace in "The Leap", Robin and Barney decide that they're better off as just friends. Which is a lie, since they're actually fooling around on the side all summer, which comes to a halt when Lily catches them. In truth, Barney and Robin don't mind keeping things casual, or at least it initially seems, as it's becoming increasingly clear that they both like each other as more than just hook-ups. They're just not ready to define anything, until Lily locks them in and forces the two to decide on where they stand. Robin and Barney decide to lie to Lily about them actually dating, but it's clear to everyone but them that this isn't actually a lie. Meanwhile, Ted is ready for his first day of class. Kind of. It doesn't help that he's in the wrong building, though.

"The Leap" was about taking that one step forward into the next part of your life, particularly the one you're most afraid to take. "Definitions", as a result, is an expansion of this belief, taking that part of your life and extending it right down to your fears.

Ted was unsure of where his life was going, until an instinct told him that teaching was a good call. Now that he's about ready to teach, the fear of his ability is brought up in a justified manner. Not the idea of Ted teaching, of course, since he has always shown the tendency to lecture and appreciate the boring aspects of every little detail. But how to find a method, and stick to it.

"Definitions" is so much fun to watch as Ted's anxiety finds its way into everything about his method, most importantly affecting his judgment as he heads to the wrong classroom building. This leads towards classic comedy, as Ted constantly ignores every plea to inform him of his mistake, while he digs in deeper. The funniest part of this whole story, however, is the one time he takes a student's input, as he fixes his writing of the word professor. That's just gold.

This fits well with the Ted that was rejected in "The Leap". This Ted was running out of good ideas just as his inhibition was dying, despite his talent still being existent. This was a Ted that needed a concise job, some reason to get up for the day, which teaching seems to be so far.

Then there is Barney and Robin, whose subtext is treated like context somehow, as the two are still struggling to get their feelings for each other out. Robin's indifference towards dating Barney in "The Leap" wasn't exactly right, as she does seem attracted to him, but is rather just unsure if they would be able to maintain a serious relationship, with his issues and their recent lack of commitment.

It makes sense, since the points add up, but the attraction is clearly there. Robin hits all the checks on Barney's list for the ideal woman, just as Barney's lower maintenance allows for him to be a potentially better romantic interest than Ted. They did need to settle aside their differences, which does work out despite Lily going a little too far.

Does this mean that the relationship can work out? Sure, but it's up for Barney and Robin to work it out. The way that they aren't fully aware of their current place shows that the two aren't the most mature in this field, but the episode ends on a high enough note to indicate that it can work, anyway.

But these episode's themes of initiative and effort help to bring HIMYM from one season to the next in strong style, best signified by the former's titular leap. The fifth season is off to a strong start, just as the excellent fourth season went off with a bang. But if only Ted was good enough to use the Indiana Jones whip. And it's a shame that we didn't get to see the mother in campus here, but ah well.

How I Met Your Mother Review- "The Leap"

The Leap (4x24)

Directed by Pam Fryman

Written by Craig Thomas & Carter Bays

One Paragraph Synopsis: With everything that has happened to the gang in the past year, they need something to raise their spirits up. Ted can't even be bothered to make it to his own surprise party, as he's too busy working on the rib house design, which ends up being rejected. He's also held captive by the goat from last year's fiasco, and ends up getting headbutted as a result. Robin also learns about Barney's feelings for her, and tries to pull a Mosby on him to scare him off, which works until Barney learns what happened, and calls her bluff. While it isn't immediately clear if they end up as a couple, both of them need to take the leap along with Ted, which Marshall initiates. A good way to end the year.

Man, what a way to go. A big leap forward for the best season to date.

This tentative brief review will hopefully be extended in the near future, but rest assured that I rate the episode highly. And season 4's strong streak is continued to give this year an A, the highest rating to date. Every episode is quite good, every other episode being a certified classic. Take out some of the show's transphobic attitude and give Stella a little more time, and this might have gotten a plus.

Will season 4 continue the strong streak? Well, we'll see.

How I Met Your Mother Review- "Right Place, Right Time"/"As Fast as She Can"

Right Place, Right Time (4x22)

Directed by Pam Fryman

Written by Stephen Lloyd

One Paragraph Synopsis: As Ted heads off to live a regular day of work, he recalls everything that forces him to reach a specific place at a specific time, which involves a hodgepodge of collected stories involving the gang. Such as Robin's food poisoning, brought on by Ted's favorite bagel place, Barney's over-obsessive planning for his 200th sexual partner, and Marshall's chart addiction. All of this helps Ted to make it to go on a certain path, a path where he runs into fate- or Stella, if you prefer.

As Fast as She Can (4x23)

Directed by Pam Fryman

Written by Craig Thomas & Carter Bays

One Paragraph Synopsis: Leading in from the previous episode, Ted runs into Stella and Tony, where he has a peaceful catching up with them. That should have been the end of things, but Tony dedicates it to himself to find someway to repay Ted for the grief he feels for having Stella leave him at the altar, resulting in a bunch of job offers. When nothing Tony tries out work, he takes it upon himself to go a step further by leaving Stella, which causes her to come to Ted for help to repair their relationship. Reluctantly, Ted agrees to talk to Tony, a decision he soon chooses to not regret, since Stella has simply found the one. His turn will come. Meanwhile, Barney consistently tries to get out of speeding tickets he obtains, but fails heavily at each attempt. Also, Lily returns at the end of the episode!

I was initially just going to do "Right Place, Right Time" by itself, but I had almost forgotten about the cliffhanger ending. That, and its structure doesn't allow for me to write too much about it.

So far, HIMYM has not been afraid to play with sitcom format, which has been one of its greatest strengths. There are plenty of episodes with simple A/B/C formats, which the series has done just fine with, but whenever an experiment like "The Platinum Rule"'s reliance on flashbacks to tell a story is done, the show helps to define itself as more than just your average TV comedy. Thomas, Bays, and crew often find a way to show their understanding of the traditional sitcom formula by often subverting it.

"Right Place, Right Time" follows in that tradition of noble experiments, but while there is plenty to like, I wouldn't call it a complete success. Do we really need to see the explanation of why Ted had to give the homeless person (played well by Homer himself, Dan Castellaneta) a dollar on his way out? The concept of pausing at nearly every angle is cute, but superfluous.

Especially when the ending reveal isn't all that surprising. Not to say that Stella's return is unwelcome, but the build-up here seems a little off for someone who could have been the future mother. Saget's delivery, which is typically strong throughout, hints at there being something else. And it was about time for Stella to come back into Ted's life, given the hole that she left.

It would be too obvious if Stella was mentioned in every single episode since the split, but her impact has definitely been left on Ted and the show itself. Seeing Ted's faith shrivel up into nothing and see him falter has made for an effective storyline, giving the character some roadblocks to surpass. It doesn't really work out in his favor, but seeing how he tries to keep his spirits high in moments such as running into his ex fiance shows how mature Ted can be when he needs to be.

Her return keeps things exciting as we near the end of the season. Allowing Tony to have some time for his own development also helps, as he finally has some fun and shows off some personality. It's not a surprise to see Tony as kind of a dopey guy, albeit one who at least means well. He loves Stella and has sincere compassion, as his attempt to find a good job for Ted comes off as likable and honest.

The thing is, Tony's judgement isn't all that great. To be fair, Ted isn't a whole lot better in this regard. Stella's a fine woman, some problems aside, but the best offer Tony made is the one that Ted instantly declined- a teaching job. Ted loves to talk, knows plenty about architecture, and has almost nothing going down. Deciding against the offer really is a bone-headed move on his part. And it's certainly a better idea than Mr. Statue of Liberty.

Tony's decision to leave Stella was similarly bone-headed, especially as Ted was truthful in saying that he doesn't want her back. While Ted does need help, this isn't the right way to go at it, and on some level, Tony must understand this. The split was only a defense mechanism, done so he can try to cope with the grief he's holding as best as he can. It's just not the right way to do so.

This all leads to Ted and Stella having a (seemingly) final discussion about all that happened. Stella's pleads of her long history with Tony offers the idea that this is something a long time going, which Ted couldn't have prevented if he tried. This concept was shown in "Shelter Island", and while the audience seems to have got it, Ted needed a little more time himself before he could. This was a story about true love, but not for Ted. He was a necessary part in it, but not the way that he wanted. That doesn't mean that Ted won't have his story, but merely that this is a stepping stone towards it.

I'll get back to the other episode for a little more in a moment, but "As Fast as She Can" is such a great episode as it gives this strong idea a big backbone and expands well. It's a necessarily cathartic release to one of the roughest parts in the show, and continues to bring the season to a nice close.

But while I'm less favorable towards "Right Place, Right Time" based on how its gimmick doesn't fully pay off, it's little subplots are mostly full of gold, just as Barney's story in "As Fast as She Can" is similarly entertaining. These episodes prove that you don't really need Lily to have fun on the show, as Robin, Marshall and Barney hold things off for her absence and Ted's heavier material.

Robin's food poisoning story is the most obvious of them, but Lloyd keeps her bond with Ted strong in his writing, as they say plenty without throwing much in your face. Besides playing well to dialogue that doesn't come off as obtrusive, Smulders' serious face is used well, as she tries her best to not ruin anything for Ted, even as she's becoming a little more aggravated.

Marshall's chart and graph obsession is great for bringing the intervention banner back alone (although Lily is sorely missed here- surely this could have been shot back before her pregnancy was becoming too obvious), but it does also allow him some harmless fun that has been missing in recent episodes. Marshall's dorky nature is front and center as he lives off his pun fantasies and brings some ingenious gags to life. His lack of insight resulting in a screw-up at work is only the coconut icing on the funky Marshall cake.

And Barney, well, is Barney. His massive list of women is gross, as gross as the way he treated the female officer. Luckily in both episodes, he gets his just desserts, though.

Barney's compulsiveness towards landing the perfect lay for his 200th is right for his character, but a hard trait to defend, and while it's not good to body shame, it feels natural to see Barney not win the way he wanted to. Meanwhile, his attempts to get out of tickets are increasingly fun to see be pulled off, but not nearly as much as seeing him fail each time. There's a gene in his mind to not allow him to pull this off, as he should not and does not. But to be fair, there are worse things to see Barney accomplish than to get a pass from a speeding ticket.

Also, Robin's comment on the lack of diversity in the names from Barney's list is one of the show's most insightful, yet undeniably hurtful lines in its run. Love it or leave it, this is one element that HIMYM could do better on.

But again, these are both strong episodes. The former isn't done as well as I would have liked, but still has a lot of good gags and a big enough heart going for it, while the latter is a great way to lead off into the season finale. Let's just see if the show can land the jump.

How I Met Your Mother Review- "The Three Days Rule"

The Three Days Rule (4x21)

Directed by Pam Fryman

Written by Greg Malins

One Paragraph Synopsis: When Ted hits it off with a girl at the bar, he decides to call her almost immediately after getting her number. Barney and Marshall, however, are adamant about him not breaking the cardinal rule, where you should wait three days in hope of not rushing in. Eventually they get Ted to reluctantly agree to not call the girl... but he didn't say anything about texting. So he and Holli hit it off. Too well, until she sends a text that was not meant for him. Robin soon finds out that in actuality, Marshall and Barney swapped out Holli's number with Barney's work cell, and they've been messing with him the whole time. Robin cracks the information over to Ted, who then takes it upon himself to have his vengeance on them, as well as meet up with Holli to rectify their damage. Even though it turns out that she wasn't exactly the one...

Is the three days rule really that important? Well, you really do need some time before going on such a venture, just like this episode needed some time spread before hitting some of its key points.

While the lack of a subplot helps to keep the episode afloat, the pacing is still off after a tight first act. I feel that the reveal of Barney and Marshall's scheme could have been saved for a little, just as Robin's confession to Ted was also a little premature. Not for too long, mind you, as stalling can get tedious, but they almost cut right to everything in the grand scheme of things, making the revelations not as natural as they should be.

As a result, the ending is almost disjointed in how everything is spread across. Not that the resolution itself is bad, because it all makes sense, but the way to there is rushed and not given enough time to get its point across. Ted's gay dream scheme had a good thing going, but again, deserved some more attention as a way to break Marshall and Barney apart. Marshall's cuddly argument is among the episode's many highlights, but there was more gold to dig from this scenario, sadly cut too soon.

This is the only real problem that I have with the episode, which is otherwise a laugh riot from start to finish. Each act contains a new brilliant gag to help compliment the last, as it also gives into the need to balance out the chemistry between certain characters.

But first, I do want to mention Stan. Kevin Michael Richardson is a man with a gifted vocal complexion, who fits his tone to how it needs to mend, which he wisely uses as a smooth operator with a tender heart and a passionate appetite. His time with the guys is brief, but undeniably important. Articulate and poignant, but with enough sincerity to keep the lust alive. Stan was the man.

He added a good deal to Marshall and Barney's time together, but the two really have seen their friendship blossom considerably this season. Working together seems to help this a lot, as Ted is almost an afterthought in comparison to how Marshall and Barney easily connect to their devious plot. As the series does tend to get close to becoming Ted and his friends relating to Ted's issues, it's refreshing to see how his two best friends interact without him. Even as they almost destroy each other in the process, due to a good call on Ted.

Ted and Robin, meanwhile, have some fun themselves. Even before they team up, and Robin shows her continued inability to get with the picture as she stands by her ideal prank after Ted comes up with better ideas, sold in a dorky fashion by Smulders, Malins writes some solid interplay between them. Robin's reminder of Ted's naked lady laugh is a cute little treat, for example, especially when she gives him an example. There are other moments allowing the two to interact as more than just an old couple, but as friends that are out of the loop.

And as you can tell by the end, whether Barney and Marshall were right about the three days rule or their method, Ted dodged a bullet with Holli. Yikes. But I don't agree with the concept that women whose names end in the letter "i" that are meant to end in "y" have an agenda or anything. That's an old joke.

Albeit a rare joke that doesn't work here, as "The Three Days Rule" is just great throughout. Even with some pacing issues, the sheer amount of jokes and bonding is enough to push it over the edge.

How I Met Your Mother Review- "Mosbius Designs"

Mosbius Designs (4x20)

Directed by Pam Fryman

Written by Kourtney Kang

One Paragraph Synopsis: As Ted's architecture firm is finally starting up, he's doing literally anything he can to stall the application part of it, including hiring an intern, who rests firmly in the office of Ted and Robin's living room. It takes no time for PJ the intern and Robin to hook up, which helps to delay whatever process Ted can make with his work. He fires PJ not too long after, which results in Robin breaking up with him, as she enjoyed his authority in the apartment, giving Ted incentive to hire PJ back, only for him to hook up with Robin again, ad nauseam. It takes some scheming from Marshall and Barney, who are busy trying to find a way to make Marshall stand out in the building. All of this would be easier if Lily was around, but she takes a break after Barney reveals a particularly offensive joke.

This is it, the run of the double pregnancies. The way both are handled is thankfully done differently, as Lily is written out for a brief period after Barney's peanut butter joke in the cold opening (the punchline is available online, btw). It's cute, but doesn't last too long, probably since Hannigan needed to collect her paycheck by episode, so enough time could have taken place between the end of her pregnancy and the birth of her child.

By contrast, there is barely an attempt to hide Smulders' pregnancy, as her baby bump becomes embarrassingly present in certain scenes. If I had to retract points for anything, it would be Fryman's lack of effort in this regard.

But Robin still manages to hold her own in "Mosbius Designs", as she does a good job of playing her frustration towards her current livelihood. When Robin tells Ted how she didn't expect to settle on a guy who was literally just at her apartment, it comes off as sad, that she knows that she should be doing better, but really isn't. It's unfortunate, because she is a smart, likable person, but life isn't dealing her a great hand right now. Robin is still reeling from the disasters of her past few jobs, as nothing is going the way she'd normally want it to.

PJ isn't given a whole lot to work with, but his blind devotion to Ted indicates a kind of naivety that makes it easy to fancy him as stupid, or at least undesirable. Robin almost literally is only attracted to him due to his control of the bathroom, a concept that is weird, but also weirdly hot to her, as PJ has some sort of authority in the apartment. Take that away, and he has nothing.

It's not a whole lot to work with for a relationship, and Robin knows. So does Ted, who is understandably annoyed about the whole thing. And so does Marshall, who isn't afraid to call her out on it. And Barney might also realize this, but he's too hurt over Robin's neglect of his feelings to articulate this.

But I should focus on Ted a little before I go to Barney, or Marshall for that matter. After all, this is his episode, and his company's name referenced in the title. His fear of Mosbius Designs failing is a believable one, being that he started the firm all by himself after a string of rejection. But similarly to what Robin reminds him, you can't fail without even attempting to succeed, let alone actually succeed. Ted's fear of embracing his work is understandable, but also destructive.

We see Ted block any actual attempts at work throughout in the episode, as he focuses on good pens to use, plans detailed trips before obtaining any clients to discuss, and, like me, probably can't think of a third example to note. Fear is one thing, but deliberate ignorance is moronic.

In a way, the whole PJ ordeal was helpful to Ted, as it gives him enough time to consider forming a game plan. Or, in this case, gain the momentum to pick up the phone and try some numbers out. The way this builds onto Ted helps to make this one of the most interesting parts of the episode, building his idiosyncrasies into a unique method.

Ted and Robin's dilemmas fit well with Marshall and Barney, as the four each are at pivotal crossroads of their lives, but each have ultimately silly issues to deal with in an effort to distract each person from bigger things.

Marshall just wants to keep his job, at least for now. This still isn't what Marshall imagined that he would use his law degree for, but it's still a well paying job that he at least moderately enjoys, thanks to Barney and some wacky characters at GNB. While in most other instances, Marshall would hesitate to indulge in such gimmicks as Toy Guy (complete with plug-ins to fellow Fox production X-Men Origins: Wolverine, the ever-so-average addition to the wholly inconsistent franchise), or the cool-looking Fantasy Guy, here he sees merit in Barney's speech, as there really is something to say about the need to stand out.

Marshall's take as Sports Guy results in a successful way for him to stand out in the crowd, but as usual for Marshall, paranoia steeps its way in. Especially when money is involved, which results in some crack-up moments from him as he tries to hide the office's bets. This bit of fear sticks to Marshall's character, just as a surprising ploy near the end may shock, but not quite as much as you'd expect if you recall who Marshall is married to. This allows for Marshall to show how some of Lily's know-how has rubbed off on him.

Barney, meanwhile, continues to his crush on Robin to signify, in one way or another, his increasing need for growth. He has yet to put any actual pressure on Robin, as she is mostly unaware of his feelings, but she is still somewhat on a pedestal, which isn't a whole lot better. But it is hardly a secret, as everyone else but she already knows, and Barney is slowly becoming ready to let her know.

PJ plays the dopey romantic interest well this week, as it becomes easy enough to support Barney and not be crazy about the guy. His disappointment is palpable, and comes to a head as Barney and Marshall share a welcome heart-to-heart, which even helps to push aside how the lack of Lily might hurt the episode. Her husband really has learned some good things from her, and the two pull off magic throughout, as their core story is pretty great.

This is a pretty great episode, in fact. We're near the end of season 4, and have yet to hit a real misfire. If Fryman had only fixed some angles a little, this could have been close to a perfect episode.

How I Met Your Mother Review- "Murtaugh"

Murtaugh (4x19)

Directed by Pam Fryman

Written by Joe Kelly

One Paragraph Synopsis: When Barney is banned from the laser tag playhouse for being too rough with kids, he tries to get Ted to TP the place with him. Ted, who considers himself too old to do things like this anymore, pulls out the Murtaugh list, a combination of things that people over the age of 30 shouldn't do anymore. Barney decides to try to do them all in the next few days, and later comes up with a list which contains things people around the age of 30 are too young to, which Ted goes through himself. Meanwhile, Marshall coaches Lily's kindergarten basketball team, which she thinks he's too harsh with. Lily forces Marshall to calm down, which results in them failing.

I haven't seen a Lethal Weapon (although I have seen It's Always Sunny's sequels, and do intend to watch at least the first 2 in the near future) or the original Teen Wolf, so this episode might work better if I had. I have played Duck Hunt though, and fuck that annoying dog. Although he is apparently good in the new Smash. But this is irrelevant, as the episode itself is great.

Age seems to occupy this entire episode, particularly the importance of how your maturity should be tuned to your age. The core conflicts between Barney and Ted and Marshall and Lily make for intelligent discussion on both sides, as they're also just funny to watch explored.

The Murtaugh list contains things that even someone who is well below 30 wouldn't consider doing anymore, like go to a rave or get my ear pierced (especially by myself, jeez, Barney), which speaks to how it holds up. As you grow up, certain things are meant to be abandoned as you approach adulthood with tact and common sense, which Barney seems to have difficulty doing himself.

Barney's refusal (inability?) to age has constantly made him such a fascinating character. He has grown as a character enough to make him more likable as the show has progressed, but he still chooses to release his inner child more often than not, as he does during his entire laser tag spiel. He has fun, which is matters.

Here is a rare moment where his age catches up with him, though. Barney breaking his back is a little too obvious of a metaphor, but it works to get the point across that you're not going to remain where you are forever, so it's best to embrace age with open arms. Not as open as Ted's arms, of course, but I'll get to him later.

On some level, Barney does understand that he is getting too old to do everything that he used to, but he's not ready to fully admit this yet. And why not, as age is scary, especially when you're reaching it. But it is inevitable, and when you hit 30, there are certain things to consider, like how you interact with children. Barney definitely does need to change this, as his time with the kids in laser tag was uncalled for.

Ted was right as he watches Barney flail through the Murtaugh list, just as Barney and Robin are right that Ted is becoming too square for his age. Look at how he embraces the list they create, almost seamlessly. It's a little pathetic. While Barney is having difficulty adapting to his age, Ted needs to reflect on how he is acting, as he does at the end of the episode.

Ted's epiphany from his Lethal Weapon marathon is a great moment that helps bring the episode together. Here, he sees the error in his ways, as the Murtaugh list is retired, even though he and Barney still agree that there is merit to retiring some activities as you age. Compromise is the spice of life that makes it constantly worth tasting. Although they really should have thought better before TPing the laser tag place.

Marshall's material has him show a little more edge than usual, but it's a welcome change, especially as Lily plays a strangely serene take herself. Or rather, she is more serene than usual, just not fully, as she still plays fairly rough against Marshall.

But this is a strength of Lily's that is worth note- while she can be quite antagonist when she wants to, she knows to keep herself controlled in front of children, and usually succeeds. Marshall, however, doesn't have this going for him based on how he treats the boy in his team.

While some ferocity is necessary to keep a team pumped, you really need to consider the age group you're playing to. Lily teaches kindergartners, young children who need nurturing before they're ready for more competitive sports. Marshall doesn't seem to care, based on his reactions. This is not right, although Lily isn't exactly helping with her lollygagging as a coach, which doesn't even really count as coaching. You can see this by how badly they perform during the game.

The flashback to Marshall's history of playing with his dad brings some insight to his methods here, even if his actions aren't justified. He wants to succeed, and comes close, but he definitely comes off as a jerk here. I don't mean this as a complaint, but rather a fun way to spin the episode, as it somehow makes sense for Marshall's otherwise kinder character, especially when you remember how his brothers used to treat him.

But what really makes this subplot work, besides Marshall and Future Ted's exaggeration of the competing team's height, is the subtext being thrown here. Lily and Marshall are arguing about more than just effective coaching methods, but their ability to become parents. This otherwise perfect pair aren't on the same team here, in a way that wraps up towards potential parenting conflict. Marshall could be just as rough with his future children as he is to the boys, while Lily might be too carefree, or this is at least how each other view their lover.

The way that they don't exactly see eye-to-eye by the end suggests that Marshall and Lily just aren't ready for raising children yet, which might be for the best. There aren't hints towards a separation, just a lack of communication in this regard. That's just fine for right now, as the two still have more things to take care of.

These stories tie up the theme about how to handle age, as Barney's reluctance towards embracing adulthood and Marshall and Lily's conflicting methods fit well with each other. You are never really done growing, as evident here. And that's what makes the episode work. It's quite funny, and leaves enough to analyze the characters with to stand as a great episode, instead of merely a good one. Just as this is absolutely a great season.

How I Met Your Mother Review- "Old King Clancy"

Old King Clancy (4x18)

Directed by Pam Fryman

Written by Jamie Rhonheimer

One Paragraph Synopsis: Ted's ideas for the new GNB building keep on being poo-pooed by Bilson, a higher up that seems to be out for Ted. Until Bilson is dropped from the project, and all seems well for Ted, until he learns that the project is dropped, and Barney and Marshall went to extreme lengths to make it seem like he's still working on it, going as far as to hire random people to sit in on meetings, rather than telling him the truth. Angry with the revelation, Marshall and Barney try their best to make up for this, by getting a new opportunity for Ted, to get him to to redesign a particular room for another floor, but when Ted's look becomes far more elaborate than planned, Bilson fires him for good, just as Ted is fired from his firm. He then decides to take this in stride by starting his own architecture firm. At the same time, Lily is trying to figure out which Canadian celebrity Robin was propositioned to have a distinctly Canadian sex act with, and which collectibles said celebrity keeps. The result baffles Lily and the rest.

I love how Robin's story is based off of true events. An actual writer from the show had a friend with a similar situation as her, but also wouldn't identify which celebrity, collection, or offered sex act was involved. And I don't think that the story has been publicly dislodged yet.

Rhonheimer builds on the excitement that the gang builds, as she finds a way to embody this into genuine hope and curiosity. The concept of the freaky sex scheme and its effect on the gang, Lily in general, brings to life that emotion wonderfully. It's a great subplot, and I only hope that they really did stay at the bar for three days just to find out.

And the ending gag? Priceless. Robin's youthful grasp at the Frozen Snowshoe was a scream, as it reveals how she wasn't entirely truthful. And now I want maple syrup.

The A-plot is pretty strong, itself. Although I'm not crazy on seeing both Barney and Marshall lie to Ted. Barney makes sense, since it's in his nature, and he's just trying to make his friend feel better, but Marshall should know better. Still, like Barney, he's only out to protect Ted, and their method of doing so is surprisingly elaborate.

The ploy to get random, lower-maintenance employees from GNB, and the odd homeless person or two to fill out the firm is silly, but seems to work well enough for Ted, who never questions it, even after a crazy encounter with the cafeteria helper who doesn't speak English. As a way of avoiding the responsibility of telling Ted the news, this is a fairly crazy method, albeit one that's fun to watch on screen.

But it's still not the best policy. Honesty is, as shown when Marshall and Barney tell Ted what really happen. He is still bitter, but even more so after realizing that his best friends have been lying to him for a while. Ted's anger is fully justified, as he was denied important information, and thus was wasting his time. It's a shame, since this did seem like a good opportunity for Ted, but Bilson just seems like a massive tool.

Bryan Callen does a good job as the character, fully selling his unlikable streak, just as he makes his screaming matches funny to hear. It's a good performance that fits into the episode, which thankfully results in getting himself hit with a chair by Ted. Which may not be the best idea for his resume, but is well-deserved all the same.

The ending revelation of Ted's new architecture firm gives some hope to the character, though. This could be the piece of hope he really needs... or further bring him down. Only time will tell, but "Old King Clancy" still gives me hope for what has to be the best season yet. Even if this isn't nearly as strong as the last handful of episodes, it's a fun ride all the same, and I can't wait to see what's left.